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Home » Authors » Henry Moss
Henry Moss

Henry Moss

Henry Moss is a principal at Bruner/Cott Architects and a resident of Concord. He specializes in the restoration and reawakening of historic buildings as they extend the past into our current world.

Articles

ARTICLES

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Harry B. Little: Colonial Revival Architecture in Concord

March 15, 2022
Henry Moss
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Concord Center is a remarkable setting where our lives are comforted by continuity to a past of early patriotism, radical thinking, and stories of remarkable local residents. That continuity was intentionally reinforced by one local architect whose vision and talent placed unusually well-designed buildings in locations where Colonial Revival architecture informs the image of Concord as a place built on its mythic past. 


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Featured Stories

  • Cover Summer26.jpg

    The Summer Issue is Here!

    As our nation celebrates the 250th anniversary of the Declaration of Independence, this issue explores the people, ideas, and stories that continue to shape its legacy. Inside, Professor Robert A. Gross offers fresh perspective in “A Referendum on Independence,” while a special foldout guide, “Following in Thoreau’s Footsteps,” invites you to explore the landscapes that inspired him. Discover an unexpected connection in “A Tale of Two Authors,” revisit the moving story of “A Hawthorne Homecoming,” and enjoy summer events, arts, and ways to experience Concord firsthand.
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    The Robbins House: Fifteen Years of History, Heritage, and Hope

    For the last fifteen years, The Robbins House has proudly told the stories of Black Concord through the lens of the Robbins and Garrison families. Originally located on an isolated farm overlooking the Great Meadows along the Concord River, the house is one of the only known historic sites commemorating the legacy of a previously enslaved Revolutionary War veteran named Caesar Robbins. 
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    A Tale of Two Authors: Charles Dickens’ Influence on Louisa May Alcott

    Imagine admiring an author while you are growing up and then ending up in the same stratosphere of success as them. That is what happened to Louisa May Alcott, who was described by contemporaries as an ardent and enthusiastic admirer of Charles Dickens—a writer two decades her senior. Both Dickens and Alcott wrote novels, short stories, and essays; both loved the stage and pursued amateur acting; both integrated social issues into their writings; both went from using pen names to real names; and both became household names. By 1893, only Dickens’ novels were more circulated than Alcott’s in United States public libraries.
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